Medalist of the Year
Grand Finals
Winter Gardens, Blackpool
Saturday 5 June 2027
Closing Date - 24 April 2027


Dancing at Blackpool is one of those experiences that lives in a dancer’s bones long after the music stops. It is not an opportunity that many dancers ever get, and for those who do, it is never “just another competition.” It is a privilege. It is a milestone. For many, it is the moment when all the practice sessions, blistered feet, and nerves finally add up to something unforgettable.
The Empress Ballroom: where history feels alive
To dance at Blackpool means dancing in the Empress Ballroom, inside the Winter Gardens in Blackpool, a place that has been the spiritual home of competitive Ballroom and Latin American dancing since the late 1800s. You can feel it the moment you walk in. It is not simply a venue, it is a cathedral for dancers. The lights, the scale of the room, the famous floor, and the sense of tradition all combine to make the Empress feel larger than real life.
And that is exactly why it matters so much. This is the room you have seen in photographs, in videos, and in the stories told by teachers and dancers who have been lucky enough to stand there before. When you finally step onto that floor yourself, it hits differently. You are no longer watching history. You are part of it.
Medallist grades, but not “easy”
Blackpool is split into the various medallist grades: pre-bronze, bronze, silver, gold, and so on. On paper, that sounds reassuring. It suggests a gentle ladder of progression, as though each grade is neatly separated and comfortably manageable.
But it should be remembered that you are dancing up against some of the best medallist competitors in the United Kingdom and beyond. Being in a medallist grade at Blackpool does not mean you are surrounded by beginners. It means you are surrounded by dancers who have worked hard, trained seriously, and arrived with the same dream you have. The standard can be breathtaking.
That is why simply being there is an achievement.
“Three minutes of pure terror”
The reality of Blackpool is that it usually follows three months or more of preparation. Weeks of polishing technique, refining posture, chasing cleaner timing, improving fitness, rehearsing routines until you can dance them when you are exhausted, and learning how to keep smiling while your body is screaming.
Then comes the journey: the long drive up the M6, often around six hours, filled with a strange mix of excitement and dread. You arrive, you check in, you try to eat something even though your stomach is doing flips, and you start to realize that the thing you have imagined for months is now only minutes away.
And then it happens. You step into the arena and it can feel like a dance miracle, like your heart is trying to dance faster than your feet. The music starts, the floor is alive, the judges are watching, the audience is real, and suddenly it is three minutes of pure terror.
Not because you do not love it. Not because you are not ready. It is terror because it matters. Because you are standing in the Empress Ballroom, and you are asking your body to do what you trained it to do under the biggest spotlight you have ever felt.
The achievement is bigger than the result
Dancing at Blackpool is not only a privilege, but also a significant achievement. In a setting like this, success is not only about trophies.
Making a second round is an amazing achievement. To make a final is absolutely superb. Those milestones mean something at Blackpool because of who you are competing against and what it takes to hold your nerve in that environment.
But there is another kind of achievement too, the one that does not always show up on a results sheet. It is the moment you realize you actually did it. You went out there. You kept going. You danced to your best in the most iconic ballroom in competitive dance.
After the music: elation, pride, and “I was there”
When it is over, the feeling can be almost overwhelming. The terror dissolves and what replaces it is elation, and a massive feeling of pride and achievement. Whatever happens in the marks, you have earned something that cannot be taken away: the experience of dancing at Blackpool.
For many dancers, that is the reward. Not perfection, not even necessarily progression, but the deep satisfaction of knowing they met the moment with courage. They entered that arena and gave what they had.
A once-in-a-lifetime recommendation
This is a highly recommended experience for dancers of all ages and all grades, precisely because it is rare. It is not an opportunity people get very often, and that is why it carries such weight. Blackpool asks a lot of you: preparation, travel, nerves, and the willingness to be seen at your most vulnerable.
But it gives something back that is hard to describe unless you have felt it yourself. A sense of belonging to something bigger than your own routine. A connection to the history of Ballroom and Latin. A memory that will return every time you hear a competition track and remember the Empress Ballroom.
Blackpool is not just a competition. For many dancers, it is a moment they will be proud of for the rest of their lives.
Simplified Competition Booking
We are delighted to share that we have streamlined our competition booking process to make things clearer, quicker, and easier for everyone.
When purchasing your ticket, you will now simply choose one of the following options:
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Competitor Ticket – if you are dancing in the competition
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Spectator Ticket – if you are coming to watch and support
That’s it — no separate entry form required.
Once your booking is complete, our team will create your competition entry for you, based on your most recent set of examinations. We will also automatically enter you into any appropriate couples events with your partner.
Shortly after the event’s closing date, you will be able to view:
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Your confirmed entry details
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Your designated teacher for Teacher–Pupil categories
We hope this new process makes entering our competitions smoother and more enjoyable. We can’t wait to see you on the dance floor!
Partnering
Where possible, we have paired each competitor with their regular teacher. However, due to the number of entries and the need to ensure everyone has a partner on the day, it is not always possible for your teacher to dance with every competitor in every event. Therefore, on some occasions we have allocated an alternative teacher.
We thank you for your understanding, and rest assured that all teachers supporting competitors are experienced and fully committed to helping every dancer perform at their best.
If you would like to arrange a lesson with your partnering teacher in advance of the event, please use your online portal to book a lesson at your convenience.
Please remember that to enter a Medalist event, you must be a bona fide medalist and have successfully completed both a Ballroom and a Latin American examination in the preceding 12 months to the event. If you are unsure, or cannot remember when you last took your examinations, please speak to your teacher, who has access to the examination database.
At the Chelmsford Dance Centre, we always advise our medalist competitors to take both a Ballroom and a Latin American examination every 12 months. This supports sensible and realistic development and progression in dance standard, while also removing any worry about not being correctly qualified for medalist events. We hold a minimum of three examination sessions each year.
Please note that examinations must be taken in the correct order as laid out by the dance associations. For further guidance, please visit “All About Exams” by clicking here.
These were the events last year - once we receive the dance sand grades for 2027
we will publish them here
Dances
5 Years & Under
Ballroom – Waltz
Latin - Cha Cha Cha
Intros
Ballroom – Waltz
Latin - Jive
Bronze
Ballroom – Quickstep
Latin - Cha Cha Cha
Silver & Gold
Ballroom – Foxtrot & Tango
Latin - Jive & Cha Cha Cha
Bars & Above
Ballroom 3 Dance - Waltz, Tango & Quickstep
Latin 3 Dance - Rumba, Cha Cha Cha & Jive
Restricted Figures
Dress Rules

